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Grateful Dead Live at The Centrum on 1987-04-03


Topics Joe D'Amico


Set 1

Hell In A Bucket ->
Sugaree
C C Rider
It Must Have Been The Roses
It's All Over Now
Big Railroad Blues
Let It Grow ->
Don't Ease Me In

Set 2

China Cat Sunflower ->
I Know You Rider
Man Smart (Woman Smarter) ->
Crazy Fingers ->
Samson And Delilah ->
Drums ->
Space ->
The Other One ->
Wharf Rat ->
Throwing Stones ->
Not Fade Away

Encore
U.S. Blues


Collection GratefulDead
Band/Artist Grateful Dead
Date April 3, 1987
Venue The Centrum
Location Worcester, MA

Source nak 300 mics w/ cp4 shotguns > sony d-5 D
Lineage nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend D
Taped by Joe D'Amico
Transferred by Joe D'Amico


Reviews

Reviewer: garquia - - April 17, 2009
Subject: Go Joe
Joe always puts up good audiences, I like his tapes. This show sounds great. I think its the best of the aud. sources for this show. Thanks Joe for taping this show and the hundred others you uploaded to LMA.
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Source: Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
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Source: Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48 (Set 1) and Whirlwind Phantoms>Sony TC-D5M,Tape Denox MG-X (Set 2); Transfer Information Set 1:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Transfer Information Set 2:Tascam 112 MKII>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
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Source: Master Audience Unknown Realistic Mics>Sony D6,Dolby C On; Recorded Third Row In Front Of The Left Speaker Stack; Taper White,Transfer By Keo; Tapes Maxell MX-90's; Transfer With Nakamichi MR-1,Dolby C Off>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua Top 16/44; SBE's Checked/Fixed with Trader's Little Helper
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Source: Set 2 Only Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/6 Feet LOC First Row Of Balcony)> Sony TC-D5M, Tapes Maxell XLII-S Set 1, Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
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Source: source: (2) audio technica atm 11/ (2) nakamichi 300> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
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Source: Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D5; Tapes: Maxell XLII-s 90 *, Maxell MX 100; Microphones Set Up Upper seats Last Row Vince's Side Between Half And A Quarter Away From Stage; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename
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Source: Master Audience Recorded By Mr. Darby; SennheiserMD421s+Nakamichi CM300/CP4s (PAS/DFC/2nd Row Of OTS/6 Feet High)> Sony MX 10>Sony TC-D5M, Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename